{"id":1407,"date":"2024-02-10T10:18:48","date_gmt":"2024-02-10T09:18:48","guid":{"rendered":"http:\/\/tailhadesp.fr\/?p=1407"},"modified":"2024-02-10T10:18:48","modified_gmt":"2024-02-10T09:18:48","slug":"09-02-2024-ao-lyon-chopin-et-grieg","status":"publish","type":"post","link":"https:\/\/tailhadesp.fr\/index.php\/2024\/02\/10\/09-02-2024-ao-lyon-chopin-et-grieg\/","title":{"rendered":"09\/02\/2024 AO Lyon. Chopin et Grieg"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><em>Le larghetto du Concerto pour piano n\u00b0 <strong>2<\/strong> ( en fait le premier compos\u00e9 par Chopin)  est magique. Et Tabita Berglund a enflamm\u00e9 la salle avec un Peer Gynt comme je ne l&rsquo;avais jamais entendu<\/em>.<\/p>\n\n\n\n<p><em>Encore ( comme quasi toujours) une superbe soir\u00e9e d&rsquo;auditorium.<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/tailhadesp.fr\/wp-content\/uploads\/2024\/02\/2024_02_09_Peer-Gynt-Auditorium-Orchestre-National-de-Lyon.pdf\"><em>Notes de<\/em> <em>programme de l&rsquo;AO<\/em><\/a><\/p>\n\n\n\n<p><em>Site de<\/em> <em><a href=\"https:\/\/www.tabitaberglund.com\/\">Tabita Berglund<\/a><\/em><\/p>\n\n\n\n<p><\/p>\n\n\n<h2 class=\"wp-block-heading\" id=\"section53619\">Programme d\u00e9taill\u00e9<\/h2>\n\n\n<p>Lili Boulanger (1893-1918)<br>D\u2019un matin de printemps<\/p>\n\n\n\n<p>[5 min]<\/p>\n\n\n\n<p><strong>Fr\u00e9d\u00e9ric Chopin (1810-1849)<br>Concerto pour piano n\u00b0 2, en fa mineur, op. 21<\/strong><\/p>\n\n\n\n<p>I. Maestoso<br>II. Larghetto<br>III. Allegro vivace<\/p>\n\n\n\n<p>[35 min]<\/p>\n\n\n\n<p><em>&#8212; Entracte &#8212;<\/em><\/p>\n\n\n\n<p>Edvard Grieg (1843-1907)<br>Peer Gynt<\/p>\n\n\n\n<p>Extraits de la musique de sc\u00e8ne pour le drame d\u2019Henrik Ibsen, op. 23, de la suite d\u2019orchestre n\u00b0 1, op. 46 et de la suite d\u2019orchestre n\u00b0 2, op. 55<\/p>\n\n\n\n<p>\u2013 Pr\u00e9lude de l\u2019acte I : I bryllupsg\u00e5rden [La Ferme des noces] (musique de sc\u00e8ne)<br>\u2013 Bruderovet [L\u2019Enl\u00e8vement de la mari\u00e9e] (suite n\u00b0 2)<br>\u2013 Dovregubbens hall [Dans la grotte du Roi de la Montagne] (suite n\u00b0 1)<br>\u2013 Dans av Dovregubbens datter [Danse de la Fille du Roi de la Montagne] (musique de sc\u00e8ne)<br>\u2013 \u00c5ses d\u00f8d [La Mort d\u2019\u00c5se] (suite n\u00b0 1)<br>\u2013 Morgenstemning [Au matin] (suite n\u00b0 1)<br>\u2013 Arabisk dans [Danse arabe] (suite n\u00b0 2)<br>\u2013 Anitras dans [Danse d\u2019Anitra] (suite n\u00b0 1)<br>\u2013 Solvejgs sang [Chanson de Solvejg] (suite n\u00b0 2)<br>\u2013 Hjemfarten [Retour de Peer Gynt] (suite n\u00b0 2)<br>\u2013 Solvejgs vuggevise [Berceuse de Solvejg] (musique de sc\u00e8ne)<\/p>\n\n\n\n<p>[45 min]<\/p>\n\n\n<h2 class=\"wp-block-heading\" id=\"section53621\">Distribution<\/h2>\n\n\n<p><strong><a href=\"https:\/\/www.auditorium-lyon.com\/fr\/interpretes\/orchestre-national-lyon\">Orchestre national de Lyon<\/a><br><a href=\"https:\/\/www.auditorium-lyon.com\/fr\/interpretes\/tabita-berglund\">Tabita Berglund<\/a>&nbsp;<\/strong>direction<br><strong><a href=\"https:\/\/www.auditorium-lyon.com\/fr\/interpretes\/ingrid-fliter\">Ingrid Fliter<\/a>&nbsp;<\/strong>piano<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le larghetto du Concerto pour piano n\u00b0 2 ( en fait le premier compos\u00e9 par Chopin) est magique. Et Tabita Berglund a enflamm\u00e9 la salle avec un Peer Gynt comme je ne l&rsquo;avais jamais entendu. Encore ( comme quasi toujours) une superbe soir\u00e9e d&rsquo;auditorium. Notes de programme de l&rsquo;AO Site de Tabita Berglund Programme d\u00e9taill\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1407","post","type-post","status-publish","format-standard","hentry","category-concerts"],"_links":{"self":[{"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/posts\/1407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1407"}],"version-history":[{"count":4,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/posts\/1407\/revisions"}],"predecessor-version":[{"id":1412,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/posts\/1407\/revisions\/1412"}],"wp:attachment":[{"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tailhadesp.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}